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Pelican scroll for Marguerite

12/4/2016

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Marguerite is a great friend of mine, very dear to me, and I was asked to do her scroll.  I was going to go all out.

In conference with Alys MacIntoisch, we delved into her personna of a Scottish reaver, and while Alys made beautiful words in the original Scots, I dove into the Aberdeen Beastiary.

The words

In all of its late 15th century Scots glory

Brion, by rycht off armes kynge off the Est, and Anna, by the same rycht Quhene, to the justiciaris, schireffis, prouosts and thir baillieis and the reste of owr ministeris and faithfull subgectis to quhom thaise present lettiris sall cume, greitings.  Know that it is the intencioun of owr will that Marguerite inghean Lochlainn sall be and heirby is raisit and eleuaitit to the Ordoure off the Pellican, with all richtis, privelegis, frensches, essys, and fredwmys appertinent thairvnto, to hawe and to hold the saim freelie, fully, paisibilly and withoutin perturbacion or distroubelance.  So we ordour yhow, and eche of yhow, firmlie and vnder threit off the appropriat penaltie, that yhow schold not imputt ony wrang, greifance or injustis or impose ony impediment or vexacione on the forsayde Marguerite in the exercese off the said-foure richtis, privelegis and frensches, essys, and fredwmys, or permitt thais thingis to be imposit on hir in keipyng with the tenore off owr grant and intencioun declarit abuf. In testymony off quhiche matere we ordainyt thais owr letteris to be made patent and proclaimit in owr councel at Bergental on the thryd day off December in the fiftie-fyrst yhere off the Societe.

In modern English

Brion, by right of arms king of the East, and Anna, by the same right Queen, to the justiciars, sheriffs, provosts and their bailies and the rest of our ministers and faithful subjects to whom these present letters shall come, greetings. Know that it is the intention of our will, as set forth herein, that Marguerite inghean Lochlainn shall be and hereby is raised and elevated to the Order of the Pelican, with all rights, privileges, appertaining thereto, to have and to hold the same freely, fully, peacefully and without impediment.  So we order you, and each of you, firmly and under threat of the appropriate penalty, that you should not inflict any evil, annoyance, injustice or impose any impediment or aggravation on the said Marguerite in the exercise of the rights and privileges aforesaid, or permit these things to be inflicted on her in keeping with the tenor of our grant and intention declared above. In testimony of which matter we ordered these our letters to be made patent and read aloud in our council held at Bergental on ___ December in the fifty-first year of the Society.

Links for the Aberdeen https://www.abdn.ac.uk/bestiary/ms24/f35r
Examples of the hand used: https://www.abdn.ac.uk/bestiary/ms24/f34v

The Aberdeen Bestiary is a lavish and costly book with illuminations containing gold leaf and exquisite detail.  It was written and illuminated in England around 1200.   The tracing of this manuscript shows that in 1542 it was listed in the inventory of the Old Royal Library, within the Westminster Palace.  The library had been assembled by Henry VIII, to give a home to manuscripts and documents that he had rescued from monastaries that were dissolved during his reign.  Henry VIII, received professional assistance from John Leland with the library to catalog these books and the Aberdeen Bestiary was listed as  No.518 Liber de bestiarum natura. The book itself is 300mm high and 210mm.


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During the summer I had purchased a piece of vellum, just a little bit bigger than 300mm high and 210mm, so I decided to go all in.  I have never done a scroll on vellum before, but this was worth it and I was willing to gamble that if it went to hell, I would start up again on perg, my old standby.

I was not disappointed.  Vellum was lovely to work on.  Pricey, but lovely.

I decided to do gold leaf also.  I have struggled in the past with gold leaf, and this one was not perfect, but I am getting better.  So I did up the design, first in pencil, and then in pen and ink (using my trust crow quill pen and Higgins eternal ink) and laid down the mordant first, then the gold leaf.  As you can see, I wanted to include the elements of the two households of Marguerite, Sharc Pit and House Lochleven, and the Lady of the Rose badge as well as her own badge.  In the center I placed the Pelicans.  The story of the Pelicans in the Bestiary was very interesting.  It told of the Pelican and her Brood, then the Pelican killing her Brood, and finally the Pelican plucking her breast to resurect her Brood.  There were very religious overtones to this story, but both Alys and I really liked the idea of a Pelican who would be tough enough to take her own Brood out, but then revive them.

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I used permacol as the mordant.  It was very thick in some spots.  One of the things I will improve is how to maintain a better overall consistency.   At this point, I started zooming and forgot to take pictures.
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 Above is a close up of the gilding.

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One of the difficulties with using vellum is well, it curls.   So I would tape it down, and then when I un-taped, curl again.  So when taking pictures, you can see the curl of the paper. The lines are straight.  The calligraphy is getting better, but I am still missing some of the feel of the medieval text.  At the end, at the point of In testymony, my letters starting getting larger.  I realized after that my hand was getting tired. Next time I will notice that and take a break.  I had chosen to do a very small hand, and I'm hoping to add pictures that give you the scale.   If I were to guess, two lines above are about the size of a dime.
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The painting beginning.  With period pigment, ultramarine, which I had made up ahead of time.  Each layer, first the base layer of blue, green, red, pale peachy color for the Pelican and her Brood, then overlay ofmore color on top.   I did not take enough pictures at this point.  I also used mosaic gold to compliment the gilding.
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Closeup of the illumination.
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Finished product, complete with detailing within the pelicans.  A lot of white work went into this.

Reflection - tiny is awesome.   I need to take more pictures. I need to take better pictures.  A little more consistency, and I'm going to get some feedback from people I know on how to make the even bigger jump of making it look even more medieval looking, but also professional finished.


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Twenty four hour Court Baron Scroll for Malocchio.

12/4/2016

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This is the story of the twenty four hour court baron scroll.   I have a good friend Lottieri Malocchio who was getting a Court Barony, but something got lost in the translation on the scroll assignment, so I didn't end up knowing about it until Wednesday night for a Saturday event. 

So, quick!  To the Bat Cave! 

Some quick research and I find this:  A German woodcut of a drummer dated 1525-1530, part of a series of fifty woodcuts picturing Landsknecht soldiers.

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No time for fuss, or muss.  I get a picture of Malocchio, and I'm off.  Within 24 hours, I produce a pen and ink version which is a little bit more 16th century Italian Master of Defense.
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    Nataliia

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